She was a dancer, a glamorous personality, and a sex symbol. Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. Her career was really never the same after Ґильда (1946). Her final film was The Wrath of God (1972). After a few, rather forgettable films in the 1960s, her career was essentially over. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959). To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. In person, Rita was shy, quiet and unassuming only when the cameras rolled did she turn on the explosive sexual charisma that in Ґильда (1946) made her a superstar. Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.
Then after Salome (1953), she was not seen again until Pal Joey (1957). Although she was still making movies, they never approached her earlier success. After the hit Ґильда (1946) (her dancing had made the film and it had made her), her career was on the skids.
Her dancing, for which she had studied all her life, was astounding. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Rita was probably the second most popular actress after Betty Grable. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor. This was the film that exuded the warmth and seductive vitality that was to make her famous. for her first big success, The Strawberry Blonde (1941) her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. After thirteen minor roles, Columbia lent her to Warner Bros. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She continued to play small bit parts in several films under the name of "Rita Cansino". Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). It was her first film appearance, albeit an uncredited one.
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She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). Rita, herself, studied as a dancer in order to follow in her family's footsteps. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers.
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